An adopted woman on the cusp of childbirth reinserts herself back into the life of her biological mother, unsettling the entire family unit.

Glasgow-based artist Phil Collins’s film Soy Mi Madre examines the immigrant populations of Colorado’s Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet’s The Maids—a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity—Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer, and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.

Kaahin Kissii Roz was an Indian thriller drama television series that broadcast on STAR Plus from April 2001 until September 2004. The series was one of the top rated shows of its time.

It follows a woman in an abusive marriage who sends her son to Istanbul for care. The son goes missing, and after three years, she meets him again, but he now goes by a different name.

Elizabeth is haunted by her past and is trapped in an abusive relationship with her tyrannical husband, Caleb. She finds solace in her writing and an escape into a world where her imagination can influence good or evil.

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A young woman's mother is found dead in the home they both live in a year after her fathers unsolves suspicious murder. The police think the daughter may be responsible so she and her friends must prove she is innocent.

瓦塔纳扬库尔搭建了一个临时房屋，以凸显空气污染造成的侵害性后果，这个房屋模拟了“沙尘”污染的现实情况。她以居住空间为切入点，对“假定”的安全理念提出了质疑。该建筑空间的结构被比作容纳体，如同人的外皮；而其内部则类似……

In the course of a single day, young Egle is confronted with her mother's suicide and is consumed by the guilt of having caused her death, all because of not being able to write one letter in the alphabet.

The day before her mother's memorial, Caroline realizes she has lost her mother's ashes. With no time left and fear of causing her sister Josephine further grief, Caroline must decide what to do.